About the Research Journal
Starting Year - 2025
Frequency - Biannual
Language of the publication - English
Format - Online
Subject - English Language and Literature
Publisher Name - Prof. Dr. Anil Adagale
Publisher Mail ID - anil.adagale@symbiosiscollege.edu.in
Publisher Address - Department of English, Symbiosis College of Arts and Commerce, S. B. Road, Pune - 411004
The Discursive Nexus is the peer-reviewed international research journal of the Department of English at Symbiosis College of Arts and Commerce, Pune. It serves as a dynamic platform for critical inquiry, intellectual exchange, and scholarly engagement across a broad spectrum of academic disciplines. While rooted in the traditions of English language and literature, The Discursive Nexus actively invites and encourages interdisciplinary and cross-cultural research that interrogates, redefines, and expands the boundaries of the humanities and social sciences. At its core, The Discursive Nexus is committed to fostering rigorous scholarship and innovative thought. We provide space for researchers, academicians, early-career scholars, and doctoral students from across the globe to present original and unpublished work that contributes meaningfully to contemporary academic discourse. Our mission is to champion research that is both rooted in strong theoretical frameworks and responsive to the shifting cultural, political, and intellectual landscapes of the 21st century.
Recognizing the evolving nature of academic inquiry, the journal places special emphasis on interdisciplinary approaches. We welcome contributions that traverse traditional disciplinary boundaries, whether through literature and history, gender and media studies, linguistics and cultural studies, postcolonial theory and visual culture, or digital humanities and pedagogy. In doing so, The Discursive Nexus seeks to reflect the complexity of today’s scholarly conversations and promote a more interconnected, holistic understanding of the human experience.
The editorial board of The Discursive Nexus comprises distinguished scholars and experts from diverse academic backgrounds, ensuring a robust and ethical peer review process that maintains the highest standards of academic integrity. Our commitment to transparency, critical engagement, and academic excellence underpins every aspect of our publication process.
All research papers/articles and critical essays submitted to The Discursive Nexus should be original, unpublished, and should not be under consideration elsewhere. Submissions must adhere to the MLA Handbook (Ninth Edition) formatting guidelines. Research articles should be between 5000 and 6000 words in length. Book reviews, critical essays, and translations are also welcome, with book reviews limited to 1500–2000 words. Each submission must be accompanied by a declaration of originality and non-submission elsewhere, as well as a statement ensuring that the work is free of plagiarism.
Affiliated with Symbiosis College of Arts and Commerce—a premier institution known for its academic excellence and intellectual vibrancy—The Discursive Nexus reflects the college’s longstanding commitment to the promotion of liberal arts education and critical thinking. As part of this vision, the journal aims to not only showcase high-caliber scholarship but also to cultivate a vibrant community of thinkers, writers, and educators dedicated to advancing knowledge and fostering dialogue.
Whether you are exploring the nuances of literary texts, examining cultural phenomena, rethinking pedagogical practices, or engaging in interdisciplinary intersections, The Discursive Nexus offers an inclusive, stimulating, and prestigious platform to share your insights. We invite you to be part of this growing nexus of thought and discourse.
Dear Readers,
It is with great pleasure that I bring to you the first volume our very own journal published by the department of English, Symbiosis College of Arts and Commerce, Pune. Dedicated to cultivating and upholding the highest standard of research in literature and the humanities, ‘The Discursive Nexus – A Scholarly Forum for English Studies and Critical Inquiry’ will serve as the mouthpiece of multitudinous perspectives on literature, language, and culture. Integrating a strong interdisciplinarity with numerous other domains, the journal will strive to voice topical issues that signify the pressing need of the hour. In the current times, the nature of literary research is evolving rapidly, and we constantly seek to keep pace with the newer avenues of research that become potential sources of exploration.
Our aim is to promote ethical research in the contemporary times by solidifying the epistemologies of literary and cultural studies. One of our primary objectives through this journal is to decentre dominant narratives, and amplify marginalised voices. The articles in this volume encompass, but are not restricted to research papers that comment on philosophy, cultural studies, theatre and performance studies, gender studies, and a plethora of other disciplines. In future volumes, we will broaden our scope to include areas like translation studies, comparative literature, ecocritical studies, linguistics, and many more. It is our ardent desire to further the scope of research in the humanities through our pursuit of such fields of inquiry.
I extend my heartfelt gratitude to the authors, reviewers, and the editorial team for their contributions in upholding the highest standards of scholarship. I would further I would further like to extend my thanks to our patrons, Dr. S.B. Majumdar, Founder President, Symbiosis, and Chancellor, Symbiosis International University, and Dr. Vidya Yeravdekar, Pro Chancellor, Symbiosis International University, for their support in this endeavour. I would also like to thank Dr. Tessy Thadathil, Officiating Principal of Symbiosis College of Arts and Commerce, whose guidance made this publication a success. I would extend my gratitude to the associate editors of this volume for their assistance and hard work.
I am optimistic that this journal will chart a new course of research for the department and its students, and will encourage the readers to ponder upon the issues brought under critical inquiry in this volume.
Warm Regards,
Prof. Dr. Anil Adagale,
Head, Department of English,
Symbiosis College of Arts and Commerce,
The Discursive Nexus
Dear Readers,
It gives me immense pride to write this address for yet another fascinating venture by the Department of English, Symbiosis College of Arts and Commerce, Pune. ‘The Discursive Nexus — A Scholarly Forum for English Studies and Critical Inquiry’ is the culmination of years of dedicated effort and academic commitment that the department has put into the furtherance of academic and research inquiry in the field of literary studies. The Department of English has a legacy that has consistently fostered intellectual curiosity and scholarly excellence, culminating in the form of this research journal. It is my deepest privilege to present this journal to you and welcome you to this significant academic initiative.
The journal ties in with the college’s ethos of promoting rigorous and meaningful research and will serve as a platform for numerous research scholars to find critical expression. It is also a moment of immense pride for the college to be taking such significant strides in contributing meaningfully to research in the humanities. We seek to leave an indelible mark upon the community of researchers by furthering discourse in varied fields. Interdisciplinarity is at the core of the journal, and every research article published here is predicated on this value.
I extend my heartfelt gratitude to our patrons, Prof. Dr. S.B. Majumdar, Founder President, Symbiosis, and Chancellor, Symbiosis International University, and Dr. Vidya Yeravdekar, Pro Chancellor, Symbiosis International University, for their unwavering support in furthering our research endeavours. I would like to congratulate Prof. Dr. Anil Adagale for his tireless efforts in nurturing a research mindset amongst our students and researchers. I would also like to acknowledge the consistent efforts of the faculty members of the Department of English, and the notable contributions of the research scholars.
Warm Regards,
Prof. (Dr.) Manojkumar P. Devne
Principal,
Symbiosis College of Arts and Commerce
Editor-In-Chief
Prof. Dr. Anil Adagale - Professor and Head, Department of English, Symbiosis College of Arts and Commerce, Senapati Bapat Rd, Shivajinagar, Pune, Maharashtra 411004.
Email: anil.adagale@symbiosiscollege.edu.in
Editorial Board
Dr. Pankaj Lokhande - Asst. Professor, Department of English, Symbiosis College of Arts and Commerce, Senapati Bapat Rd, Shivajinagar, Pune, 411004.
Email: pankaj.lokhande@symbiosiscollege.edu.in
Ms. Swarali Joshi - Asst. Professor, Department of English, Symbiosis College of Arts and Commerce, Senapati Bapat Rd, Shivajinagar, Pune, 411004.
Email: swarali.joshi@symbiosiscollege.edu.in
Prof. Catherine Sweeting - Professor of English, Hudson County Community College, 70 Sip Ave, Jersey City, NJ 07306, United States.
Email: Csweeting@hccc.edu
Mr. Sijan Baral - Assistant Professor, School of Arts, Kathmandu University, Dhulikhel, P.O. Box - 6250, Nepal
Email: sijan.baral@ku.edu.np
Dr. Shrikant Borkar - Professor and Head, Department of English, Ness Wadia College of Commerce, 19, Late Prin. V.K. Joag Path, Wadia College Campus, Pune – 411001.
Email: sb214@soas.ac.uk
Prof. Dr. Ravindra Mhasade - BARD Fellow, SOAS University of London, 10 Thornhaugh Street, Russell Square, London, WC1H 0XG, UK.
Email: ravindra.mhasade@nesswadiacollege.edu.in
Prof. Dr. Prabhanjan Mane - Professor, Department of English, V.S. Khandekar Bhasha Bhavan, Shivaji University, Vidyanagar, Kolhapur 416004.
Email: pbm_eng@unishivaji.ac.in
Dr. Richa Srishti - Associate Professor and Head, Department of Languages, Christ University Road, 30 Valor Court, Dasve Lavasa, Mulshi, Pune 412112.
Email: richa@christuniversity.in
Dr. Snober Satarawala - Head, Department of English, St. Mira’s College for Girls, 6, Koregaon Road, Near Hotel Blue Diamond, Pune, 411001.
Email: snober.sataravala@stmirascollegepune.edu.in
Dr.Lohans Kumar kalyani - Assistant Professor, Department of Teacher Education (B.Ed.), Shri Lal Bahadur Shastri Degree College,Gonda U.P 271101
Email: lohanskalyani@lbsdc.org.in
Publication Policy: The Discursive Nexus’s policy prohibits an author from submitting the same manuscript for concurrent consideration of other publications. As this journal is an international journal that publishes original materials, The Discursive Nexus’s policy prohibits publication of any manuscript that has already been published in whole or in substantial part elsewhere. Authors will be required to state through mail that the submitted paper is an original work and not submitted elsewhere. Permission for reproduction of an article or any part should be addressed to the editor.
Instruction for Authors & Reviewers:
- Manuscript should be prepared according to the style and specifications of the journal’s policy.
- The title page should include:
- The name(s) of the author(s)
- A concise and informative title
- The affiliation(s) and address(es) of the author(s)
- The e-mail address, telephone and fax numbers of the corresponding author(s)
- The text of a submission should only be in ‘Times New Roman’ font, of 12 point font size and single line spaced paragraphs.
- Please provide an abstract of 150 to 200 words. The abstract should not contain any undefined abbreviations or unspecified references.
- Please provide 4 to 6 keywords which can be used for indexing purposes.
- The research paper should preferably range between 2000 – 3000 words. But in some cases, we accept papers with more than 3000 words also.
- All figures and tables of the manuscript should be embedded into the original text. Separate files will not be accepted.
- Author(s) should follow the latest edition of MLA style in referencing. Please download the MLA (8th and 9th edition) style sheet before finalizing the references. Please visit https://style.mla.org/ to learn more about MLA style.
- Every paper must be plagiarism free and original. It should include the name, qualification and affiliation of the author(s), after the title.
- Writer(s) should have a minimum qualification of Post graduation degree.
- The research paper sent for publication should be unpublished or not be under review for any other journal.
- For web references, as a minimum, the full URL should be given along with the date.
- All the articles are sent to referees. The identities of authors and reviewers are not revealed to each other. The authors should ask to revise their manuscript in the light of their comments.
Peer Review Policy: The Discursive Nexus aspires to select research papers through the highest quality peer review. In order to achieve this, the peer review and publication process must be thorough, objective, and rational. Almost every aspect of this process involves important ethical principles and decisions, which are rarely unambiguously stated and even less often shared with the readership. Journal’s reputations depend on the poise of readers, authors, researchers, reviewers, editors, research subjects and funding agencies.
The ethical policy of The Discursive Nexus: An International Peer–Reviewed Open Access Journal follows Elsevier’s https://www.elsevier.com/about/our-business/policies/publishing-ethics.
Authors must be honest in presenting their results and conclusions of their research. Research misconduct is harmful for knowledge. It could mislead other researchers.
Plagiarism:
Plagiarism is the use of others’ published and unpublished ideas or words without acknowledgment or permission, and presenting them as new, innovative and original ideas or words rather than derived from an existing source. At The Discursive Nexus, we strongly condemn this ruthless act. If found guilty, to any extent, The Discursive Nexus will fight against Plagiarism. Self-plagiarism refers to the practice of an author using portions of their previous writings on the same topic in another of their publications, without specifically citing it formally in quotes. In short, the journal has zero tolerance for plagiarism.
Disclaimer:
The accountability of the research article published in the journal is entirely of the author(s) concerned and not of the publisher/editorial board. The views expressed in the research articles of The Discursive Nexus are those of the contributors and do not principally correspond to the views of the publisher/editor. Authors are responsible for citing their sources and the accuracy of their references and bibliographies. The publisher/editorial board of the journal is not liable for errors or any consequences arising from the use of information contained in it. Any dispute falls under the jurisdiction of Latur Court, India.
| Sr. No. | Title of the Paper | Author | Page No. | Click Below to Download Paper | Click Below to Download Certificate |
|---|---|---|---|---|---|
| 1 | A Semiotic and Psychoanalytic Analysis of Trauma and Recovery in the Video Game: Gris | Joanna Janhavi Arunkumar Subramaniyam | 1-10 | Click here to Download the Paper | Click here to Download the Certificate |
| 2 | The Non-Human in Ghibli: A Posthumanist Study of Hayao Miyazaki’s Nausicaä of the Valley of the Wind and Princess Mononoke | Divya Sharma | 11-20 | Click here to Download the Paper | Click here to Download the Certificate |
| 3 | Tokenism and Queerbaiting in Television: Symbols Without Substance | Deeksha Chhatwani | 21-37 | Click here to Download the Paper | Click here to Download the Certificate |
| 4 | Writing Through Trauma: Memory, Longing and Survival in Kafka’s Letters to Milena | Sadiya Sarkar | 38-49 | Click here to Download the Paper | Click here to Download the Certificate |
| 5 | The Cartography of Taboo — Spatial Politics and the Love Laws in Arundhati Roy’s The God of Small Things | Debalina Bhattacharyya | 50-54 | Click here to Download the Paper | Click here to Download the Certificate |
| 6 | Subtitles, Streaming, and the New Audience: How OTT Platforms Bridge Language Gaps in Indian Cinema | Seona James | 55-67 | Click here to Download the Paper | Click here to Download the Certificate |
| 7 | The Literary Reconstruction of Da Vinci and Machiavelli in Assassin’s Creed’s ‘Ezio Trilogy’: A Study of Humanism and Pragmatism | Amitaanshu Midha | 68-77 | Click here to Download the Paper | Click here to Download the Certificate |
| 8 | Healing Through Verse: Mary Oliver’s Poetry as Bibliotherapy | Shreya Singh | 78-88 | Click here to Download the Paper | Click here to Download the Certificate |
| 9 | Hisoka’s Homosexuality and Queer Attraction to Strong Characters | Navya Madan | 89-97 | Click here to Download the Paper | Click here to Download the Certificate |
| 10 | Women Writing War: Gendered Trauma in Asian Conflict Narratives | Surabhi Jha | 98-110 | Click here to Download the Paper | Click here to Download the Certificate |
| 11 | A Cultural Ecofeminist Reading of Selected Poems by Jacinta Kerketta | Rishab Kandeyang | 111-121 | Click here to Download the Paper | Click here to Download the Certificate |
| 12 | AI, Translation, Technologies, and the Future of Linguistic Communication | Abhinanda Bhattacharjee | 122-132 | Click here to Download the Paper | Click here to Download the Certificate |
| 13 | Critique of Capitalism in Upton Sinclair’s The Jungle | Lokesh Chaudhari | 133-143 | Click here to Download the Paper | Click here to Download the Certificate |
| 14 | Gothic Ecologies: Nature, Sublimity, and the Geography of Fear | Esther Sara John | 144-158 | Click here to Download the Paper | Click here to Download the Certificate |
| 15 | Rewriting Morality: Death, Meaning, and Ethical Living from Everyman to Mitch Albom’s Morrie | Hetvi Patel | 159-169 | Click here to Download the Paper | Click here to Download the Certificate |
| 16 | Manto’s Partition Short Stories: Testimony of Artistic Responsibility in Times of Crisis | Navdha Kishorkumar Joshi | 170-182 | Click here to Download the Paper | Click here to Download the Certificate |
| 17 | Narrative Subversion in Iranian Cinema: Resisting Authoritarian and Oriental Gaze | Reya Mohammed Raffi | 183-190 | Click here to Download the Paper | Click here to Download the Certificate |
| 18 | Anne Frank’s Diary: A Catalyst for Transnational Holocaust Memory using Marianne Hirsch’s concept of Post Memory | Ved Shukla | 191-204 | Click here to Download the Paper | Click here to Download the Certificate |
| 19 | When Love Met Capitalism: Romance, Class, and Changing Representations in Pretty in Pink and Materialists | Janice Matilda Noronha | 205-213 | Click here to Download the Paper | Click here to Download the Certificate |
| 20 | From Natak to Netflix: Desire and Representation in Indian Storytelling | Priya Subhash Kadam | 214-223 | Click here to Download the Paper | Click here to Download the Certificate |
| 21 | Reimagining Traditions: A Study of Transcreation of South Asian Narratives and Poetic Works into English | Prakriti Jhajharia | 224-232 | Click here to Download the Paper | Click here to Download the Certificate |
| 22 | Literature and Politics of Place in Restoration Age (1660–1702) | Charvie Bhati | 233-243 | Click here to Download the Paper | Click here to Download the Certificate |
| 23 | Configurations of Nature and Culture: Ecocritical Insights into Arun Kolatkar’s Literary Imagination | Samriddha Ghosh and Subarnarekha Ghosh | 244-250 | Click here to Download the Paper | Click here to Download the Certificate |
| 24 | Literature and Storytelling in the Digital Age | Gauri Gogna | 251-260 | Click here to Download the Paper | Click here to Download the Certificate |
| 25 | Recipes of Resistance: Food, Memory and Identity in African American Women’s Writing | Jayasmita Padhi | 261-270 | Click here to Download the Paper | Click here to Download the Certificate |
| 26 | Home as Heaven and Prison: Domestic Spaces in African American Women’s Narratives | Prerika Digvijay Thakur | 271-285 | Click here to Download the Paper | Click here to Download the Certificate |
| 27 | Trauma, Narrative and the Politics of Representation | Rishparna Banerjee | 286-292 | Click here to Download the Paper | Click here to Download the Certificate |
| Sr. No. | Title of the Paper | Author | Page No. | Click Below to Download Paper | Click Below to Download Certificate |
|---|---|---|---|---|---|
| 1 | "The Family We Build": Queer Exclusion and Chosen Kinship in Contemporary Fiction | Deeksha Chhatwani | 1-14 | Click here to Download the Paper | Click here to Download the Certificate |
| 2 | Voices at the Margins: A Postcolonial, Feminist and Nationalist Study of Women Narratives | Hetvi Patel | 15-21 | Click here to Download the Paper | Click here to Download the Certificate |
| 3 | “More Mortal Than Others”: Dehumanisation, Animality and the Crisis of the Human in the Speculative Fiction of Atwood and Ishiguro | Janice Noronha | 22-34 | Click here to Download the Paper | Click here to Download the Certificate |
| 4 | Beasts and Burden: Animal Agency, Caste, and Slow Violence in Selected Tamil Fiction | Joanna Janhavi Arunkumar Subramaniyam | 35- 43 | Click here to Download the Paper | Click here to Download the Certificate |
| 5 | "Who's Laughing Now?": Mimicry, Irony, and the Politics of Postcolonial Humour in Selvon's The Lonely Londoners and Kureishi's The Buddha of Suburbia | Lokesh Chaudhari | 44-59 | Click here to Download the Paper | Click here to Download the Certificate |
| 6 | The Geometry of Entrapment: Bureaucracy, Infinite Deferral, and Narrative Stasis in Kafka | Prakriti Jhajharia | 60-70 | Click here to Download the Paper | Click here to Download the Certificate |
| 7 | The Subaltern Gaze in Kavita Kane’s Karna's Wife: The Outcast’s Wife (2013) and Lanka's Princess (2017) | Navdha Kishorkumar Joshi | 71-83 | Click here to Download the Paper | Click here to Download the Certificate |
| 8 | An Analysis of Baudrillard’s Hyperreality as Manifested in Selected Popular Cinema | Reya Raffi | 84-96 | Click here to Download the Paper | Click here to Download the Certificate |
| 9 | The Victorian and Modernism Body: Domesticity vs. Alienation | Surabhi Jha | 97-109 | Click here to Download the Paper | Click here to Download the Certificate |
| 10 | Narratives of Emotional Suppression and Inner Absence in Mrs. Dalloway and A Farewell to Arms | Abhinanda Bhattacharjee | 110-122 | Click here to Download the Paper | Click here to Download the Certificate |
| 11 | “Class, Gender, and Conflict: A Marxist Reading of North and South” | Priya Subhash Kadam | 123-130 | Click here to Download the Paper | Click here to Download the Certificate |
| 12 | Disrupted Temporality in Selected Post-Independence African Fiction: Waiting, Stagnation, and the Crisis of Time | Diksheeta Jitendra Chawre | 131-141 | Click here to Download the Paper | Click here to Download the Certificate |
| 13 | The Geometry of (In)visibility: Dark Sousveillance and Subterranean Resistance in Ralph Ellison’s Invisible Man | Jayasmita Padhi | 142-150 | Click here to Download the Paper | Click here to Download the Certificate |
| 14 | The Burden of Knowing: Guilt, Memory, and Moral Evasion in the Fiction of Kazuo Ishiguro | Chayanika Shukla | 151-160 | Click here to Download the Paper | Click here to Download the Certificate |
| 15 | Hyper-Consciousness and the Burden of Self-Awareness in Dostoevsky’s Notes from Underground and The Double | Sadiya Sarkar | 161-177 | Click here to Download the Paper | Click here to Download the Certificate |
| 16 | Reconfiguring Female Subjectivity: Feminist Resistance from Wollstonecraft to Woolf | Aanchal Mohnani | 178-192 | Click here to Download the Paper | Click here to Download the Certificate |
| 17 | Necropolitics and the Body of the Nation in The Autumn of the Patriarch | Prerika Thakur | 193-210 | Click here to Download the Paper | Click here to Download the Certificate |
| 18 | The Scar Beneath the Sin: Reading Villainy Through Trauma in Brontë and Rhys | Noopur Sinha | 211-219 | Click here to Download the Paper | Click here to Download the Certificate |
| 19 | Between Roots and Routes: Mnemonic Anchoring and Mobility-Driven Subjectivity in Anglophone Diasporic Fiction | Paridhi Agrawal | 220-231 | Click here to Download the Paper | Click here to Download the Certificate |
| 20 | Incest, Identity, and Isolation: The Psychological Consequences of Parental Death in The Cement Garden | Shweta Honamode | 232-243 | Click here to Download the Paper | Click here to Download the Certificate |
| 21 | The Privilege of Duration: Social Position and the Unequal Experience of Inner Time in Nineteenth-Century Fiction | Esther John | 244- 253 | Click here to Download the Paper | Click here to Download the Certificate |
| 22 | No Secure Base: Class, Poverty, and Attachment Failure in Douglas Stuart’s Shuggie Bain | Kshitija Morey | 254-267 | Click here to Download the Paper | Click here to Download the Certificate |
| 23 | Male authors as feminist allies: Women’s representation and Gender equality in The Silent Patient and The Book Thief | Shatabdi Haldar | 268- 280 | Click here to Download the Paper | Click here to Download the Certificate |
| 24 | Postmodernism and the Phenomenology of Space in American Psycho (1991) | Aryan Ray | 281- 289 | Click here to Download the Paper | Click here to Download the Certificate |
| 25 | Predation to Incorporation: Symbiotic Horror in Selected Contemporary Ecogothic Novels | Divya Sharma | 290- 297 | Click here to Download the Paper | Click here to Download the Certificate |
| 26 | Mapped in ink between languages and between worlds: Code-switching and Code-Mixing in Postcolonial South Asian Fiction | Rishparna Banerjee | 298- 308 | Click here to Download the Paper | Click here to Download the Certificate |
| 27 | Unreliable Narration and Narrative Voice in the Novel Frankenstein | Anushka Salve | 309- 318 | Click here to Download the Paper | Click here to Download the Certificate |
| 28 | Nostalgia, Memory, and Female Interiority: A Psychoanalytic-Auteur Reading of Sofia Coppola, Greta Gerwig, and Olivia Wilde's Coming-of-Age Cinema | Seona James | 319- 332 | Click here to Download the Paper | Click here to Download the Certificate |
| 29 | VOICING THE SILENCED: GENDER MARGINALITY AND IDENTITY IN CONTEMPORARY WOMEN-CENTRIC NARRATIVES | Swarnika Narang | 333- 342 | Click here to Download the Paper | Click here to Download the Certificate |
| 30 | The Evolution of Life Writing in the Age of Digital Mediation | Radhika Chaudhari | 343- 350 | Click here to Download the Paper | Click here to Download the Certificate |
| 31 | Fluid Borders and Rooted Histories: An Ecocritical Study of Liminality and Knowledge Systems in Ghosh and Pariat | Ved Shukla | 351- 362 | Click here to Download the Paper | Click here to Download the Certificate |
| Sr. No. | Title of the Paper | Author | Page No. | Click Below to Download Paper | Click Below to Download Certificate |
|---|---|---|---|---|---|
| 1 | War as Lived Dystopia, Dystopia as Future War: Posthuman Temporalities of Violence and Survival | Pradnya Ashok Adhav | 1-12 | Click here to Download | Click here to Download |
| 2 | Memory and Homeland Across Borders and Times: A Comparative Study of Tahmima Anam and Romesh Gunesekera | Sudipta Chaki | 13-24 | Click here to Download | Click here to Download |
| 3 | A Cognitive Behavioural, Cultural Materialist, and Feminist Perspective of M. K. Indira’s Phaniyamma | Swetha. M and Kavya Shree S | 25-37 | Click here to Download | Click here to Download Click here to Download |
| 4 | Platform Power and the Visual Politics of Indian Identity: The Case of Desicore on Instagram | Hiteshi Jain | 38-48 | Click here to Download | Click here to Download |
| 5 | The Politics of Representation: Dalit, Tribal and Marginal Voices in Mulk Raj Anand’s Untouchable and Arundhati Roy’s The God of Small Things | Shrikant Jitendra Jadhav | 49-56 | Click here to Download | Click here to Download |
| 6 | Narratives of Displacement: Migration, Memory, and Identity in Amitav Ghosh’s The Shadow Lines and Chimamanda Ngozi Adichie’s Americanah | Sunil Parasram Adhav | 57-66 | Click here to Download | Click here to Download |
| 7 | Reclaiming the Feminine Divine: A Contemporary Reading of Amish Tripathi’s Sita: Warrior of Mithila | Darshita G. Tank | 67-77 | Click here to Download | Click here to Download |
| 8 | Voices of Rebellion: Youth Culture, Subcultures, and New Modes of Expression in Literature, Cinema, and Digital Media | Sarala Kisan Sanap | 78-84 | Click here to Download | Click here to Download |
| 9 | Interpreting Disbelief in God and Religion in Salman Rushdie’s Shame | Anil B. Patil | 85-93 | Click here to Download | Click here to Download |
| 10 | Trauma and Healing in Narrative | Anuradha K. | 94-103 | Click here to Download | Click here to Download |
| 11 | Use of Vernacular in Teaching of English Language: Its Pros and Cons in the Light of NEP-2020 | Sanjay M. Reddy | 104-114 | Click here to Download | Click here to Download |
| 12 | A Study of Women in Kazuo Ishiguro’s A Pale View of the Hills | Vinita Marigold and Rita Josephine Eve. K. | 115-119 | Click here to Download | Click here to Download Click here to Download |
| 13 | Reimagining Aging: A Gerontological Study of Githa Hariharan’s The Art of Dying | Tisha Roy | 120-132 | Click here to Download | Click here to Download |
| 14 | The Breakdown of Tribal Values: A Study of Cultural Transition in Gopinath Mohanty’s Paraja | Dipali Pandurang Malusare | 133-143 | Click here to Download | Click here to Download |
| 15 | Digital Humanities and the Transformation of Cultural Expression in Egan’s A Visit from the Goon Squad | Sunil R. Karpatti | 144-149 | Click here to Download | Click here to Download |
| 16 | Cultural Shift and Linguistic Transition in Kavita Daswani’s Salaam, Paris | Siddharth Nathuram Kale | 150-155 | Click here to Download | Click here to Download |
| 17 | From Memes to Movements: Interpreting Social Media as a Cultural Discourse | Sangita Bhondave | 156-164 | Click here to Download | Click here to Download |
| 18 | Digital Shifts in Language, Literature, and Culture | Sumaiya Mazil Kacchi | 165-174 | Click here to Download | Click here to Download |
| 19 | Vocabulary with Memes: Internet Grammar for Creative Classroom Narratives | Ketki Shinde | 175-189 | Click here to Download | Click here to Download |
| 20 | Forgotten Realities: Investigating Memory and Control in Yoko Ogawa’s Dystopian World | Manmayee Joshi | 190-202 | Click here to Download | Click here to Download |
| 21 | Chorus of the Silenced: Gender, Voice and Revision in The Penelopiad | Gargee Tambe | 203-210 | Click here to Download | Click here to Download |
| 22 | Haruki Murakami’s After Dark Mirrors Anxieties and Fragmentation in Urban Landscape Through Postmodern Urbanism | Ankita Akankhya Panda and Vidya Nagre | 211-222 | Click here to Download | Click here to Download Click here to Download |
| 23 | Yank as the Modern Tragic Hero: A Psychoanalytic Study of Defence Mechanisms in The Hairy Ape | Swapnil Satish Alhat and Rajani Patil | 223-241 | Click here to Download | Click here to Download Click here to Download |
| 24 | Translation As A Significant Tool To Construct A Reading Community Across The Borders: A Study Of English And Marathi Translations Of Hindi Novel Ret Samadhi | Dipali Yashwant Patil | 242-252 | Click here to Download | Click here to Download |
| 25 | The Language of the Mind: Tracing Mental Health Narratives in Literary Texts | Amruta Marpakwar | 253-263 | Click here to Download | Click here to Download |
| 26 | Indigenous Women as Preservers and Conservators of Nature in Contemporary Northeast Indian Literature | Ashvini Maruti Shingote | 264-273 | Click here to Download | Click here to Download |
| 27 | Language Endangerment and Revitalisation: Identity and Community in Contemporary Discourse | Ravinder Kaur Chandok | 274-283 | Click here to Download | Click here to Download |
| 28 | Retrospection, Trauma and Identity Crises of Elaine in Cat’s Eye | Sapana Ramkrushnarao Mahalle | 284-290 | Click here to Download | Click here to Download |
| 29 | E-Literature Helps Improving Prepositional Accuracy of Engineering Students Through Digital Storytelling | Alka Pralhadrao Bramhankar | 291-301 | Click here to Download | Click here to Download |
| 30 | A Pragmatic Analysis of Presupposition in Arundhati Roy’s The God of Small Things: A Study | Pawan Patil and Smital Pawar | 302-310 | Click here to Download | Click here to Download Click here to Download |
| 31 | Twitter Talk: Reconceptualising Grammar in the Digital Age | Ravi Haridas Paikrao | 311-320 | Click here to Download | Click here to Download |
| 32 | Deconstructing Gender Norms in Cobalt Blue by Sachin Kundalkar | Madhura Sudhir Walavalkar | 321-329 | Click here to Download | Click here to Download |
| 33 | The Haunted Psyche: Exploring Trauma in Neil D’Silva’s Maya’s New Husband | M. Muthu Swamy Nathan | 330-339 | Click here to Download | Click here to Download |
| 34 | From Quest to Consciousness: Paulo Coelho’s Exploration of Inner Awakening in The Pilgrimage | Rohith E | 340-350 | Click here to Download | Click here to Download |
| 35 | The Painted Leaf: Literature as Logotherapy in O. Henry’s The Last Leaf | Zameer Salim Sayyed and Rohidas B. Dhakane | 351-361 | Click here to Download | Click here to Download Click here to Download |
| 36 | Poetry Beyond Borders: Aurobindo’s Vision for the Future | Priyankakumari Zala | 362-369 | Click here to Download | Click here to Download |
| 37 | Genetic Marxism in a Steampunk World: Lucien Goldmann and the Case of Soulless | Mufarrah Mukallil | 370-376 | Click here to Download | Click here to Download |
| 38 | Rethinking Thomas Cromwell’s Historical Significance through the Wolf Hall Trilogy | Jadhav Sona Kishanrao | 377-383 | Click here to Download | Click here to Download |
| 39 | Marriage as a Cultural Hegemony in Manju Kapur’s Novel A Married Woman | Shital Pratap Shirawale and Hanumant Lokhande | 384-391 | Click here to Download | Click here to Download Click here to Download |
| 40 | Coomaraswamy and the Aesthetic Transition: A Study of Beauty and the Hindu View of Art | Harsha Gadhavi | 392-398 | Click here to Download | Click here to Download |
| Sr. No. | Title of the Paper | Author | Page No. | Click Below to Download Paper | Click Below to Download Certificate |
|---|---|---|---|---|---|
| 1 | Man And Nature: An Ecocritical Analysis of Selected Poems of Robert Frost | Shobha Kurne | 1-12 | Click here to download | Click here to download |
| 2 | Rewriting the Canon: Devdutt Pattanaik’s Contemporary Retelling of Indian Epics | Suchismita Banerjee | 13-27 | Click here to download | Click here to download Click here to download |
| 3 | The Normalisation of Queer Identities through Fanfiction | Vaishnavi Chavan and Sukanya Garg | 28-43 | Click here to download | Click here to download |
| 4 | AI and Human Translation in Transition: Rendering the Literary Voices of Marathi Female Saint Poet for a Global Readership | Janhvi Surekha Ravindra Nimbarte | 44-57 | Click here to download | Click here to download |
| 5 | Madness as an Act of Resistance: A Comparative Analysis of the ‘Housewife’ in Revolutionary Road and Mrs. | Shruti Vijay Bhosale | 58-67 | Click here to download | Click here to download |
| 6 | Witnessing War: Testimony and Human Stories in Joe Sacco’s Palestine and Footnotes in Gaza as Platforms for Marginalised Voices | Vedangi Parsekar | 68-78 | Click here to download | Click here to download |
| 7 | From Baker Street to Global Streets: The Cultural Evolution of British Crime Fiction | Prerna Amitkumar Wadhwani | 79-94 | Click here to download | Click here to download |
| 8 | Echoes of Silent Scars: Exploring Trauma, Memory and Survival in A Thousand Splendid Suns | Syeda Sadaf | 95-104 | Click here to download | Click here to download |
| 9 | Narrative Repair in Retellings: General Semantics and the Emotional Logic of Myth | Tanvi Vyas | 105-116 | Click here to download | Click here to download |
| 10 | Recovery for Mildred: Reclaiming autonomy in Fahrenheit 451 | Shruti Zunje | 117-127 | Click here to download | Click here to download |
| 11 | Evolving Heroines across Time and Frontiers: Comparative Literary Analysis on Women Representation | Nupur Niteen Joshi | 128-138 | Click here to download | Click here to download |
| 12 | The “Fear” as a Universal Weapon of Control and Despoliation in Blake's London, Dickens’ A Tale of Two Cities, and Anne Frank’s The Diary of a Young Girl | Mridul Dwivedi | 139-147 | Click here to download | Click here to download |
| 13 | Negotiating Allyship and Homophobia in Modern Family’s “The Wedding” Episode | Gaurav Kakade | 148-158 | Click here to download | Click here to download |
| 14 | Hashtag Activism: The Evolution of Resistance Literature in the Digital Age | Shreya Mukherjee | 159-172 | Click here to download | Click here to download |
| 15 | Who Misses the Public Intellectual: Public Intellectuality in the Contemporary Age | Sajal Shruti Ganesh | 173-183 | Click here to download | Click here to download |
| 16 | Race and Subalternity in Mulk Raj Anand’s Untouchable | Ramya E | 184-198 | Click here to download | Click here to download |
| 17 | The Struggle of Black Women Selected Short Poem of Langston Hughes | Sahana Suresh | 199-214 | Click here to download | Click here to download |
| 18 | Two Voices, One Saint: A Comparative Study of Tukaram in English Translation | Nupur Vinod Ranade | 215-226 | Click here to download | Click here to download |
| 19 | Trauma, Revenge, and Female Resistance: Patriarchy and Myth in Akku and The Goddess of Revenge | S. Ramya | 227-241 | Click here to download | Click here to download |
| 20 | Portrayal of Nature through Selected Short Stories of Ruskin Bond | Ayesha Siddiqua | 242-251 | Click here to download | Click here to download |
| 21 | The Idea of Hybridity through the Lens of Kafka | Raithatha Mahima Bharat Kumar | 252-261 | Click here to download | Click here to download |
| 22 | Evolving Narratives of the Ramayana: A Comparative Study of Its Documentation from Oral Traditions to Modern Media and Their Impact on Reader Reception | Sharvari Puranik | 262-275 | Click here to download | Click here to download |
| 23 | Voices of Devotion, Agents of Reform: Social Transformation through Basavanna’s Vachanas and Tukaram’s Abhangas | Mugdha Umesh Kulkarni | 276-284 | Click here to download | Click here to download |
| 24 | Impact of Music on Vocabulary Development and Listening Comprehension Compared to Traditional Pedagogy | Priyanka Kori | 285-293 | Click here to download | Click here to download |
| 25 | Code-Switching and Cultural Hybridity: Polyphony in Post-Liberalisation Indian English Fiction | Milind Krishna A | 294-300 | Click here to download | Click here to download |
| 26 | An Analytical Study of Google Translate and AI-Based Translation: Insights from the Vidarbha Dialect | Pratiksha Mendgudli | 301-308 | Click here to download | Click here to download |
| 27 | Social Realism and Marxist Critique in William Blake’s Songs of Innocence and Songs of Experience | Anum Khanita | 309-319 | Click here to download | Click here to download |
| 28 | Revisiting Nāyaka–Nāyikā Bheda: Towards a Balanced Aesthetic Representation | Avani Ashwini Amol Joshi | 320-327 | Click here to download | Click here to download |
| 29 | Challenging Cultural Hierarchies through the characters Lucy and David in J.M. Coetzee’s Disgrace | Aditi Jadhav and Arya Jha | 328-337 | Click here to download | Click here to download Click here to download |
| 30 | Śruti as Pedagogy: Guru–Shishya Tradition and its changing nature | Sharayu Deshmukh | 338-347 | Click here to download | Click here to download |
| 31 | The Symbiotic Future of Linguistic Communication: A Critical Analysis of AI and Translation Technologies | Sidra Iffath | 348-359 | Click here to download | Click here to download |
| 32 | Theatre of Absurd, Delusion, Irony, and the Futility of Human Endeavours, The Real and the Void: On the Rise of Formidable Assault | Asfiya Banu | 360-363 | Click here to download | Click here to download |
| 33 | The Ethics and Aesthetics in Transition: Artistic responsibility in times of crisis | Vaidehi Purohit | 364-373 | Click here to download | Click here to download |
| 34 | Literature as a Living Artefact: Examining the Modern Relevance through Historical Context | Divya Deshmukh | 374-386 | Click here to download | Click here to download |
| 35 | ‘She, the Light: The Multifaceted Symbolism of Light and Radiance in The Lalitāsahasranāma’ | Nandini Jitendra Pawar | 387-395 | Click here to download | Click here to download |
| 36 | Translating the Poet: Tagore’s Self-Translations and the Politics of World Literature | Hussaina Hussain Radiowala | 396-406 | Click here to download | Click here to download |
| 37 | Echoes of Resistance: Memory, Homeland, and Colonial Heritage in the Works of Mahasweta Devi and Leslie Marmon Silko | Shruti Prashant Ghodake | 407-417 | Click here to download | Click here to download |
| 38 | Into the Woods - A Thematic and Aesthetic Analysis of Spatial Shifts in Popular Music from City Spaces to Forest Landscapes | Niharika Rajsaha and Shubhangi Mukherjee | 418-430 | Click here to download | Click here to download Click here to download |
| 39 | Negotiating Sustainability and Doom: Art and Culture in the Era of Globalisation | Mansi Khandelwal and Sreejani Chakraborty | 431-442 | Click here to download | Click here to download Click here to download |
| 40 | The Transition of Authorship: Exploring the Ethics and Aesthetics of AI Literature through The Last Screenwriter and The Bot Poet | Jasmeen Chhabra | 443-448 | Click here to download | Click here to download |
| 41 | Traversing through Tragedies: A Digital Discourse Analysis of the Ahmedabad Plane Tragedy Exploring the Linguistic Politics of Death and Mourning in Online Spaces | Reva Raman Bhardwaj and Zareen Jafri | 449-461 | Click here to download | Click here to download Click here to download |
| 42 | Exploring the Realities of Dalit Life through Select Autobiographical Narratives | Nilesh Shriramji Kachare | 462-467 | Click here to download | Click here to download |
| 43 | Work, Stress, and Stereotypes: Overgeneralisation of Japanese Work Culture through Manga and its Fandom | Shweta Tarodekar | 468-484 | Click here to download | Click here to download |
| 44 | The Literature of Transition: Themes, Forms, and Cultural Negotiations in Jhumpa Lahiri’s Fiction | Prof. Dr Anand U. Hipparkar | 485-492 | Click here to download | Click here to download |
| Sr. No. | Title of the Paper | Author | Page No. | Click Below to Download Certificate |
|---|---|---|---|---|
| 1 | Analysing the Thematic Interplay of Survival and Humanity in Selected Dystopian Literature | Prajakta Bekani | 1 - 8 | Click here to Download |
| 2 | Gynocritical Study of Muslim Women in Partition Literature | Arya Koyal | 9 - 16 | Click here to Download |
| 3 | Return Them to Their Places: Emma Woodhouse and Mr. Knightley as Socially Regressive Forces in Jane Austen’s Emma | Aashray Rao | 17 - 21 | Click here to Download |
| 4 | Confronting the Absurd: Themes of Power and Meaning in Margaret Atwood’s Dystopias | Shruti Rajani | 22 - 28 | Click here to Download |
| 5 | The Influence of Historical Narratives on Personal Memory Construction | Nivedita Gupta | 29 - 36 | Click here to Download |
| 6 | Representation of Sacred and Social in Marathi Bhakti Poetry Translated into English | Avadhut Hanumant Kadam and Dr. Pankaj Lokhande | 37 - 44 | Click here to Download |
| 7 | Exploring Existentialism: Profound Themes in Selected Novels | Milind Krishna A | 45 - 49 | Click here to Download |
| 8 | Companionship and the Absurd in Waiting for Godot and The Myth of Sisyphus | Vanshika Haldiya | 50 - 55 | Click here to Download |
| 9 | A Comparative Study of Bhayanaka Rasa in Macbeth and Nagamandala | Soniya Gaikwad | 56 - 65 | Click here to Download |
| 10 | Land, Labour, and Literature: Evaluating the Role of Peasants in Revolutionary Movements through Marxist Writings | Sanjay Panicker Reghulal | 66 - 72 | Click here to Download |
| 11 | Shakuni Revisited: Deconstruction of the Traitor Figure in the Mahabharata | Samriddha Ghosh | 73 - 78 | Click here to Download |
| 12 | Defining Representation of the Subaltern | Dr. Pankaj Lokhande | 79 - 82 | Click here to Download |
| Sr. No. | Title of the Paper | Author | Page No. | Click Below to Download Paper | Click Below to Download Certificate |
|---|---|---|---|---|---|
| 1 | A Study of the Archetypal Representations of Medea in Different Ages through Jung’s Collective Unconscious | Ms. Apurva Jayant Tope | 1 - 14 | Click here to Download | |
| 2 | Convergence of Myth and Misery: An Analytical Study of Female Unsung Warriors of Indian Mythology | Ms. Swarada Garibe | 15 - 26 | Click here to Download | |
| 3 | Developing Communication Skills with the help of Literature | Ms. Naincy Thaker and Ms. Swarali Joshi | 27 - 37 | Click here to Download | |
| 4 | Exploring the Theme of Identity in Young Adult Fiction and Adult Fiction: A Comparative Study | Ms. Radha Nandedkar and Ms. Swarali Joshi | 38 - 45 | Click here to Download | |
| 5 | Impact of Colonialism on African Culture: A Psychological and Socio-Cultural Reading of Selected Post-colonial African Novels | Ms. Amrita Bhullar | 46 - 55 | Click here to Download | |
| 6 | Nature, Culture, and Indian Cinema: Analysing Qala, Bulbul, and The Great Indian Kitchen through Sherry B. Ortner’s Theoretical Lens | Ms. Kajal Singh | 56 - 64 | Click here to Download | |
| 7 | Representation of Sacred and Social in Marathi Bhakti Poetry Translated into English | Mr. Avadhut Hanumant Kadam and Dr. Pankaj Lokhande | 65 - 75 | Click here to Download | |
| 8 | Symbol and Imagery of Partition in Selected Works from the Indian Subcontinent | Ms. Ruchika Singh | 76 - 86 | Click here to Download | |
| 9 | The Evocation of Emotion: A Critical Analysis of Selected Classical Indian Plays through Rasa Theory | Ms. Akanksha Kumari | 87 - 94 | Click here to Download | |
| 10 | The Impact of Colonialism on Indigenous Languages | Ms. Tanvee Panse | 95 - 106 | Click here to Download | |
| 11 | The Psychoanalytical Study of Bengali and English Detective Stories | Ms. Ishika Chaudhary | 107 - 115 | Click here to Download | |
| 12 | The Role of Hinglish and Multilingualism in Contemporary Indian Novels | Ms. Aditi Verma | 116 - 127 | Click here to Download | |
| 13 | The Semiotics of Power in Orwell’s 1984: A Barthesian and Foucauldian Analysis | Ms. Shubhangi Sharan | 128 - 136 | Click here to Download |
Dear Sir/Madam
Research Scholars/ Faculty Members/ Creative Writers are cordially invited to submit their authentic, scholarly and unpublished research article. The author can submit the soft copy of the manuscript in M.S. Word format after preparing the same as per our submission guidelines, at the email address -
Email: Thediscursivenexus@symbiosiscollege.edu.in
THE DISCURSIVE NEXUS, VOLUME 1 - ISSUE 2
Last Date of Submission: 30 May, 2025
Date of Publication Online: June, 2025
Manuscripts submitted to this journal will be deemed as they have not been published and are not under consideration for publication elsewhere. If you face problems with paper submission, please feel free to contact or text the editor at Mobile/WhatsApp No.: +91-9011927575 or send a Mail at anil.adagale@symbiosiscollege.edu.in
Kindly inform about The Discursive Nexus: An International Peer-Reviewed Open Access Journal to your Friends /Students /Colleagues /Associates and Fellow Researchers who may utilize this opportunity as a platform for their new research inventions.
Publisher Name -
Prof. Dr. Anil Adagale
Editor-in-Chief
Contact No. -
Address
Department of English, Symbiosis College of Arts and Commerce, Senapati Bapat Road, Pune - 411 004 (Maharashtra)
